Beth Orson has played Assistant Principal Oboe and English Horn with the Vancouver Symphony Orchestra since 1990. She has taught on the faculties of the UBC School of Music and the Vancouver Academy of Music for many years and joined the faculty of the National Youth Orchestra of Canada in 2008. As a chamber musician, Ms. Orson often performs with the Turning Point Ensemble and in recital at the University of British Columbia. Principal Oboe of the NY Symphonic Ensemble from 1988-2005, she completed 19 tours to Japan with this renowned chamber orchestra, performing in every major concert hall in Japan, often as oboe soloist. As an English horn player Ms. Orson’s solo performances include the world premiere of VSO Music Director Bramwell Tovey’s “The Progress of Vanity” for English horn and small orchestra at the 2012 International Double Reed Conference held at Miami University (Ohio), Rodney Sharman’s “Songs Without Words” with the VSO, the North American premiere of James MacMillan's "The World's Ransoming" with the VSO, the solo English horn part to Dan Seguin’s Leo Award-winning score for the CBC feature film "Murder Unveiled,” Brian Cherney’s “In the Stillness of September 1942” with the VSO, the Kraus/Ferlandis Concerto for English horn and Orchestra with the Sinfonia-Orchestra of the North Shore and numerous performances of Sibelius’s “The Swan of Tuonela” with the VSO, which she is scheduled to play again in 2013.
Ms. Orson has recorded for CBC Records, Deutsche Grammophon, Essay, New World, Parnassus and Technics Records. A graduate of the Oberlin Conservatory and winner of the Oberlin Concerto Competition, Ms. Orson's principal teachers were Laurence Thorstenberg, James Caldwell, and Elaine Douvas. Before moving to Vancouver, Ms. Orson worked as a freelance musician in New York City where she often performed with the orchestras of the Metropolitan & New York City Operas, the Orchestra of St.Luke’s, Philharmonia Virtuosi, and on Broadway.