Internationally recognized for his moving performances, innovative programming and extensive catalogue of recordings, American conductor Gerard Schwarz serves as Music Director of the All-Star Orchestra, Eastern Music Festival, Palm Beach Symphony, and Mozart Orchestra of New York and is Conductor Laureate of the Seattle Symphony and Conductor Emeritus of the Mostly Mozart Festival. He holds the position of Distinguished Professor of Music; Conducting and Orchestral Studies of the Frost School of Music at the University of Miami and Music Director of the Frost Symphony Orchestra. Schwarz is a renowned interpreter of 19th century German, Austrian and Russian repertoire, in addition to his noted work with contemporary American composers.
The All-Star Orchestra is an ensemble of top musicians from America’s leading orchestras featured in eighteen programs that have aired throughout the United States on public television, worldwide by online streaming and is the basis for their Khan Academy education platform that has already reached over 6 million students. Gerard Schwarz has also collaborated with the United States Marine Band adding three more programs. All the programs are released by Naxos on DVD and have been awarded seven Emmy Awards and the Deems Taylor Television Broadcast Award from ASCAP.
The Eastern Music Festival in North Carolina is among the country’s most important summer educational institutions bringing together world-renowned artists and exceptionally gifted young musicians from across the United States and beyond. The summer of 2020 was Schwarz’s 13th year at its artistic helm leading an innovative virtual Festival during our challenging times that garnered outstanding press acclaim. With more than 300 world premieres to his credit, Schwarz has always felt strongly about commissioning and performing new music. As Music Director of the Eastern Music Festival he initiated the Bonnie McElveen-Hunter Commissioning Project that has thus far commissioned works by John Corigliano, Richard Danielpour, André Previn, HyeKyung Lee, and Lowell Liebermann. In all, Ms. McElveen-Hunter has committed to ten new works from American composers.
A prolific recording artist, Schwarz’s total discography numbers over 350 on labels such as Naxos, Delos, EMI, Koch, Artek, New World, Nonesuch, Reference Recording, RLPO Live, Columbia/Sony and RCA. In November 2017, The Gerard Schwarz Collection, a 30-CD box set of previously unreleased and limited release works spanning his entire recording career was released by Naxos. His vast repertoire includes major 20th century ballets by composers Stravinsky, Strauss, Bartók, Ravel and Prokofiev, as well as multi-disc cycles of works by Schumann, Strauss, Wagner and Stravinsky. Schwarz’s dedication to the promotion of American music is also represented with his pioneering cycles of 26 American symphonists such as William Schuman, David Diamond, Walter Piston, Paul Creston, Peter Mennin, Alan Hovhaness and Howard Hanson. The Howard Hanson cycle, first released on Delos, was a mainstay on Billboard’s classical music best-selling list for 41 weeks, earned Grammy nominations and was named 1989 Record of the Year by Stereo Review. The new Russian series on Naxos has been acclaimed as “a high point in the extensive Schwarz/Seattle discography” (Classics Today), “very fine” (The Guardian) and “a powerhouse in Russian Romantic repertoire” (MusicWeb International). He released Rimsky-Korsakov’s first and third Symphonies with the Berlin Radio Symphony Orchestra in 2016. In addition to his numerous recordings with the Seattle Symphony, he has also recorded with the Czech Philharmonic, English Chamber Orchestra, Juilliard Orchestra, London Symphony Orchestra, Los Angeles Chamber Symphony, New York Chamber Symphony, Orchestre National de France, Philadelphia Orchestra, Royal Liverpool Philharmonic, Tokyo Philharmonic and Eastern Music Festival.
A gifted composer and arranger, Schwarz has expanded his compositional activities in recent years. His Trio for Violin, Horn and Piano, recently released on Good Child Recordings, was called a work of “sophistication and intelligence” (Seattle Post- Intelligencer). Earlier works include In Memoriam and Rudolf and Jeanette (dedicated to the memory of his grandparents who perished in the Holocaust) – both recorded by Naxos; Human Spirit, a composition for choir and orchestra and his duos for violin and cello which were called “redolent of the gentle humanism central to much of the music Schwarz loves to conduct” by The Seattle Times. His arrangements of suites from Strauss’ Der Rosenkavalier, Debussy’s Pelléas et Mélisande and Humperdinck’s Hansel and Gretel are programmed in concerts worldwide. A Journey, a large scale orchestral tone poem, received its world premiere at the Eastern Music Festival in July 2012. Schwarz’s work for concert band Above and Beyond was premiered by The United States Marine Band in 2013 and is now available on Naxos, recorded by the Marine Band for broadcast on PBS in November 2018. His newest work for that ensemble, a new version of Rudolf and Jeannette was premiered in February 2016. His orchestral work, A Poem, was given its first performance by the Hartford Symphony. In 2018 his Triptych for violin and cello was premiered at Bargemusic and his work for euphonium and band, based on In Memoriam, was premiered in Korea, as was his Rhapsody for Cello and Orchestra. Adagio, based on Webern’s Langsamer Satz was premiered at the Eastern Music Festival in July 2019.
Schwarz is also known for his operatic performances in addition to his concert work, having appeared with the Juilliard Opera, Kirov Opera, Mostly Mozart Festival, San Francisco Opera, Seattle Opera – where he has led 21 productions – and Washington National Opera conducting the operas of Wagner, Janáček, Strauss, Mozart, Bizet, Weber, Debussy, Bartók, Stravinsky, Beethoven, Hagen and Gluck.
Born in America to Viennese parents, Schwarz began studying piano at the age of five and soon focused on the trumpet. A graduate of both New York City's High School of Performing Arts and The Juilliard School, he joined the New York Philharmonic in 1972 as co-principal trumpet, a position he held until 1977. Schwarz’s numerous previous positions include Music Director of New York’s Mostly Mozart Festival (1982-2001), where he presided over sold-out houses, developed the orchestra’s international touring, maintained a nine-year residency in Tokyo, considerably expanded its Mozart repertoire and lead numerous televised Live from Lincoln Center appearances. His tenure as Music Director of the Royal Liverpool Philharmonic Orchestra (2001-2006) initiated the long-standing partnership between the orchestra and Classic FM, expanded recordings on the RLPO Live label, initiated a new partnership with Avie records, created the enormously popular Sunday matinee Musically Speaking concert series, led highly acclaimed tours to Spain and Prague and brought the orchestra to National Television in BBC Proms broadcasts. As Music Director of the Los Angeles Chamber Orchestra (1978-1985) and New York Chamber Symphony (1977-2001) he expanded concert series and audiences, made award-winning recordings and championed new works. In addition, he served as Artistic Advisor to the Tokyo Philharmonic.
Gerard Schwarz completed his final season as Music Director of the Seattle Symphony in 2011 after an acclaimed 26 years. During his leadership, Schwarz was instrumental in the building of Benaroya Hall, spearheading efforts that resulted in the acoustically superb new home for the Seattle Symphony. The many legacies of his extraordinary leadership include a critically acclaimed discography of more than 140 recordings; numerous television programs and concert broadcasts resulting in two Emmy Awards; major strides in music education programs including new series and the successful Soundbridge Seattle Symphony Music Discovery Center; regular programming of innovatively themed festival weeks; in addition to dramatically increased audience attendance and classical subscription weeks. Schwarz’s final season in Seattle was emblematic of the conductor’s passionate dedication and support for contemporary music, with a total of 22 world premieres. Eighteen of these premieres were a part of the Gund/Simonyi Farewell Commissions, an unprecedented commissioning initiative celebrating his farewell season as music director.
In his nearly five decades as a respected classical musician and conductor, Schwarz has received hundreds of honors and accolades. Over the years, he has received seven Emmy Awards, 14 GRAMMY nominations, eight ASCAP Awards and numerous Stereo Review and Ovation Awards. He holds the Ditson Conductor’s Award from Columbia University, was the first American named Conductor of the Year by Musical America and has received numerous honorary doctorates, including from his alma mater, The Juilliard School. In 2002, ASCAP honored Schwarz with its Concert Music Award and in 2003 the National Academy of Recording Arts & Sciences ( now The Recording Academy ) gave Schwarz its first “IMPACT” lifetime achievement award. Active in music advocacy on a national and state level, he served on the National Council of the Arts and is Honorary Chairman of the Board of Young Musicians Excelling, an organization in Washington State which supports music education in the Pacific Northwest. The City of Seattle recognized his outstanding achievements by naming the street alongside the Benaroya Hall “Gerard Schwarz Place” and the State of Washington gave him the honorary title of “General” for his extraordinary contributions as an artist and citizen.
Gerard Schwarz’s much anticipated memoir, Gerard Schwarz: Behind the Baton, was published by Hal Leonard Performing Arts Publishing Group in March 2017. He has been married to his wife Jody for 37 years, has four children and lives in Florida